You scribblers out there might want avert your eyes or turn the virtual page because this might be a little too much to take, this whole Jack Rushton situation. You know him. He’s an actor, among other things. He’s been in a lot of shows, but the roles that stick out are Mr. Lucky, a completely over-the-top operator, a French ladies man, Pepe LePew come to life, complete with the very European (and tres elegant) hand-lick, at the New Works Festival a couple of years ago, and Dan, the self-emasculated, late-in-life newlywed whose, um, penis gets up and walks away because he’s not getting any attention in “The Richard Cycle,” the centerpiece of Michael Kimball’s “I Fall for You,” a collection of short works the playwright staged at the Firehouse three years ago. He’s also a writer. He started scribbling seriously a couple of years ago after getting a seat with The Group, a Port writers’ group that includes Kimball as well as Joshua Faigen, whose most recent play, “A Book of Snow,” served as appetizer for this year’s Boston Theater Marathon, and Raymond Arsenault, who will be rolling out “A Secret Remedy,” his new play, at the Actors Studio in a couple of weeks. It’s a productive group that, as Faigen has said in the past, whose name is either cool or stupid, depending on your mood. And Group member Rushton is apparently hard-wired directly to the Muse, who is totally crossed off my Christmas list since she is spending way too much time with this guy. I mean, in the past two years, he’s written 50 to 65 pieces. Yeah, so many that the guy can’t even keep track of them — and they “keep coming out,” he says. And you thought you had problems, right?
Sunday, May 27, 2012
Friday, May 4, 2012
|Jeff Onore abandons 'a profound sense urban loneliness' |
for modern farce in 'Robotic Baby,' his new full-length.