Showing posts with label Bruisers. Show all posts
Showing posts with label Bruisers. Show all posts

Sunday, August 12, 2012

Fan-tastic: Bruisers back together ... for one night

Face it, it’s a fact of life. Sooner or later, you’ll have to drive too far and pay far too much money to see a band — you know, someone from back in the day, one of those bands that struck a nerve, that makes your heart go thumpa-thumpa still, that makes you grit your teeth and  feel those feelings again, the ones that made you feel alive, lighting you up in a way you barely remember now, with the mortgage and health insurance to deal with, right? Even if you weren’t really there, like Dropkick Murphys frontman Al Barr intimated in an interview about, among other things, the Bruisers, the Portsmouth/Newburyport punk band he founded back in 1988, a band that bashed its way out of regional obscurity with a brutal, punishing, as-hard-as-you-can-get street punk sound, a band that built a name for itself here and a virtual cult-status in western Europe. Which is not to say they ever achieved mass popularity of any sort, because they didn't. Despite the legion of fans the Bruisers have now. Which was Barr’s point exactly when he was talking about the last Bruisers reunion. Which was seven years ago, at this point, when the band filled the Roxy, drawing close to 1,000 fans — unheard of in the day, like five times what the band would get, on a good day, back in the day. ”It's cool to like a band when they don't exist anymore, as long as they're not popular," he said earlier this year in an interview for the gimmenoise blog.

Wednesday, June 23, 2010

Bruising blogging from a Port punk


When Jeff Morris (yeah, that's the guy, second from the left) pulled up stakes last year, he left behind a two-decade deep, stylistically diverse musical legacy only hinted at in "Mutes in the Steeple," the Joshua Pritchard documentary focusing on the Newburyport indie music scene in the late '80s and '90s — from NPD, one of the city's first punk bands, and the Bruisers, who bashed their way out of regional obscurity with a punishing, as-hard-as-you-can-get street punk sound, to the surf-rock-with-an-edge sound of the Cadillac Hitmen, and the in-your-face improvisation instro trio Zuni Fetish Experiment, before finally returning to the song format with Death & Taxes, a straight-ahead rock outfit with no room for flash or showboating. Now Morris, who moved to Chicago last year after getting a day-job offer he could not refuse, begins telling the nasty little story on “Tattooed Hearts and Broken Promises,” his new blog.